London’s Cheyne Wander presents a sedate streetscape that bears no witness, help you save some blue English Heritage plaques embedded in a variety of façades, to its daredevil record. To the redbrick Georgian and Queen Anne homes and apartment buildings that line this Thames-facet street in Chelsea, all method of imaginative iconoclasts given that the third quarter of the 19th century have gravitated. Querulous painter James Abbott McNeill Whistler bunked in this article, as did dandified tastemaker Christopher Gibbs, actor Laurence Olivier, and a several of the Rolling Stones, moreover Marianne Faithfull.
“All of Chelsea is a fairy tale for me,” claims Patrick Mele, a young decorator who is based mostly in New York City but seems straight out of the Cheyne Wander playbook, with a tousled mop of dim hair foaming earlier mentioned an angular confront that is pure Egon Schiele. “My ideal close friend developing up was English, so I have constantly been drawn to that Anglo sensibility. And I used to arrive below a decade ago, when I worked for Ralph Lauren, to function on the shops.” So, when Sara Tayeb-Khalifa and her partner, Hussein Khalifa, large-fived Mele’s zesty decoration of a bedroom in their Manhattan condominium, they made available to mail him back again throughout the pond to revamp the Cheyne Walk flat they had owned considering the fact that the early 1990s.
“I experienced completed it area by room by home, but nothing at all matched—plus, I no for a longer time required protected,” describes the tasteful Tayeb-Khalifa, a former Phillips govt who is partnering with sustainable-manner designer Jussara Lee on collections of T-shirts and cushions. “I needed to make it pleased: delighted colors, pleased household.” To that stop, her conversations with Mele ended up peppered with references to Auntie Mame, Overlook Havisham, and the ceilings of previous French bistros, stained “a shade that reminds you of cigarettes, wine, bad alcoholic beverages, and a lot more cigarettes,” Tayeb-Khalifa suggests with a giggle. —Mitchell Owens
When requested what anyone unfamiliar with his biography may surmise only by strolling by way of his Melbourne household, Troye Sivan remains sanguine: “I’d hope they’d believe that I’m an unpretentious dude, perhaps a bit eccentric, an individual who loves artwork and structure, anyone devoted to his family—and absolutely the actuality that I’m homosexual,” suggests the wildly well-known 25-calendar year-previous Australian singer-songwriter and actor.
Certainly, if that hypothetical visitor transpired to be a persnickety design snob, they’d definitely not fail to register the array of treasures by the likes of Percival Lafer, Ettore Sottsass, Tobia Scarpa, and Marios Bellini and Botta the cabinetry facts influenced by Charlotte Perriand and Jean Prouvé and the bespoke, Memphis-flavored appointments of the tub and powder rooms. On a further stage, nevertheless, it would also be crystal clear that this is the home of an individual with the cultivation and self-confidence to realize that excellent design is as a lot about suitability and nuance as it is about significant objects and artworks.
“Troye is an exceptionally savvy collaborator. In our earliest conversations, he talked about materiality, how he wanted to experience in his home, about the scent and the sound and the light-weight. It was so a great deal a lot more than just a handful of really points he uncovered on Pinterest,” remembers designer David Flack of neighborhood agency Flack Studio, Sivan’s lover in the delicate, innovative reimagining of the singer’s Victorian-era dwelling.
The residence in dilemma is a authentic architectural gem. Erected in 1869 as a handball court, the making was converted into a brick manufacturing unit in 1950 and then subsequently transformed into a residence in 1970 by renowned Australian architect John Mockridge, a fixture of the neighborhood artwork-and-structure scene. The conversion is explained to be the initially adaptive reuse task of its variety in the city. “You can picture Mockridge and his close friends sitting down all-around ingesting whiskey and chatting about artwork. I needed to protect that bohemian spirit and honor the initial architecture although generating some thing that feels like me,” Sivan claims. —Mayer Rus